Posts tagged Young Chang

How Much is My Piano Worth?

This is a quick and easy guide to price out what a piano is worth.  But before i get into that, let’s pretend for a moment that i know nothing about pianos… who knows… you, the reader might be in that situation.  Let’s say… i’m shopping for a houseboat (which i know nothing about BTW).  If i started my search, this would be my process:  I’d investigate new ones… I’d search for “BEST OF” makes and models, look at used ones, find out which ones hold value, which are most sought after and above that look at location and condition.  Pianos really are no different. There are about 4-5 parameters that i constantly bear in mind when evaluating instruments:

  1. Find out new value (if at all possible… many pianos have gone out of biz in the last 100 years…more on that later)
  2. Look online to find used comparisons
  3. This will determine what value retention is like
  4. Condition condition condition
  5. Location location location

So… case study #1  Let’s say you own a studio yamaha upright piano (pictured above).  Let’s say you own a model E108.  The new versions of those pianos locally sell for about $4000 CDN.  My rule of thumb is used pianos in mint condition sell for about half what a new one lists for.  Why? Well put the shoe on the other foot being a consumer.  Let’s say you want to buy a piano.  What would motivate you to buy used vs. new? If a new piano is $4000 and a used one is $3500… i’d usually buy the new one for a few more dollars and have warranty etc.  If the used one is $2200 (with no tax being a private sale) and a new one is $4000 plus tax (roughly $4400), the used savings are substantial enough to warrant buying used (at a cost savings of $2000 or more).  Finding out used comparisons… there are ones listed between $1800 and $3200… so you need to decide then what condition your piano is in.  Ask yourself “How close to new does my piano appear?”  Then examine again what other examples locally are selling for.  If yours is a MINT version of what you see locally… you may want to price it a bit higher.  Condition drastically affects piano value.  I’ve had beat up grands and excellent condition grands – same model and have a HUGE price disparity due to condition.  Look for evidence of condition – rust, cracks, chips, scratches.  Generally outside condition is often indicative of inside condition as well.  Finally… location.  I’m AMAZED at how pianos sell for different dollars in different locations.  It’s called supply/demand.  If the demand is higher, the price is according. Locally economic health also affects many used items. 

Case study #2… old piano… a Nordheimer (see below)… you can tell it’s old because of the fact that it looks like an antique.  It looks NOTHING like a new piano.  These are trickier to price in some ways. Some have had new parts, some have been refinished.  But the fact remains that most tall pianos (55 inch) that look kinda crusty are usually better part of 100 years old.  Now before you get all wound up about the fact that you’re holding on to an ‘antique’ artifact, let me dispell the myth that there are only 2 kinds of pianos: modern design and ‘early’ piano.  Early pianos ARE collectable and are specific models made between 1800 and about 1850 but even those aren’t necessarily valuable.   The ‘modern’ piano as we know it almost became standardized by the year 1900.   So… looking online… see the wide range of value? $100 – $3000!  Find some that look reasonably the same.  Quite quickly you’ll realise that value is more a product of supply/demand than condition.  Most old pianos these days are valued locally here at about $500-800.  “But… but… but… we put THOUSANDS into the resoration of our piano” you protest.  I hear ya… and i feel for ya… but refinishing, new parts will only bump up the price somewhat. 

Finally, bear in mind the name… with name is associated price.  Steinway for example fetches many times more than weird and obscure pianos REGARDLESS of quality.  Why? They’ve managed to stay on top of their game (let alone they’re still in business today).  Other names such as Yamaha, Kawai, Baldwin, Young Chang, Samick, Pearl River etc… are also household names.  These pianos will always have better value retention because of the name association.

OK OK OK one last note… if you’re STILL stuck, contact either a store or a technician. I field questions ALL the time about value and what people should price pianos at.  Good luck! And happy selling. Cheers!

Floating Piano Soundboards… What’s all the hype?

So the concept is not new… but rather new to ME. In January, i decided to interview all of the manufacturers at NAMM (National Association of Music Merchants). It took me 3 days to get through all of the pianos and speak to everyone at this large trade show. One of the companies that caught my attention due to design implementation was Young Chang. Speaking with designer Del Fandrich, we looked at “floating” soundboards. But before we get into floating soundboards, let’s first look at soundboards in general.
A soundboard appears to be a big flat sheet of wood (usually spruce) underneath the strings on the piano. The soundboard isn’t actually flat but slightly curved under compression. The purpose is that it acts like (what i would call) an amplifier… technically speaking my engineering friends would call it a transducer – transforming energy into sound. We hear the piano tone primarily because of the vibration of the soundboard.
So what’s a ‘floating’ soundboard then? Well pianos have two battling elements – string length vs. soundboard flex. What do i mean by that? The longer the strings are, the deeper the sound of the piano. That’s why 9′ long concert grands sound magnificent! They have lonnnnnnng strings. So if you were to stretch the strings in a short piano to the very edge of the rim, you would think that you would have this marvelous tone right? Wrong. See that’s where this battle goes on. Think about diving boards for a moment. The closer you are to the edge of the pool, the less the diving board will move. Why? Because it’s attached to the side of the pool (which is rigid). The farther out over the water, the more the diving board will flex. So back to pianos, the closer you get to the rim, the more the rim ‘stifles’ the sound vibration. Ideally the bridge of a piano should be some distance away from the rim. Enter the floating soundboard concept. So… what happens if you could have the best of both worlds? What happens if you have long strings AND flexibility? That’s what has happened with Young Chang’s latest design. If you look straight down in the bass section on their latest pianos, the soundboard is not attached to the outside rim for the entire bass section. The advantage then is that you can have longer strings and still have decent vibration of the soundboard in the bass because it is not attached. Kudos to Young Chang for being not necessarily the first to the finish line but being one of the largest piano companies in the world to embrace this advance in technology and build bigger sounding pianos.

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