Posts tagged bright

Art Case Pianos – Part 2 – The Classics

In part one of this series we looked at the very FIRST art case made by Steinway.  Oh sure there have been many MANY other manufacturers before and after 1856.  That was just a small story introducing the concept of “art case” – if you weren’t familiar with the term.  Now we’re going to look at a few examples of modern art case pianos.  To begin with, i thot i’d introduce a recent photo of a piano named Grotrian – high end, beautiful and such a classic art case.  To me an art case is all about proportions – note how the cabriole legs (double curved 18th century type) give a certain elegance to the design. The music rack is embellished with scroll work. Repeated again under the keyboard. Even the side rims are notched and accented with motifs. Though i prefer satin art case instruments, this one has been high polished. In England, they’re called ‘bright’ finishes. Check out these other examples of art case: a few vintage Steinways – one with ornate carvings, the other with detailed inlays. While some would call these garish, if you’re a woodworker of any kind, you’ll appreciate if nothing else, the labour that went into the meticulous detail.

 

And finally, some modern day examples of art case – Bosendorfer designed by Audi. Steinway’s year 2000 “Rhapsody in Blue” limited edition (commemorating George Gershwin). And one of my all time favorites, Schimmel’s Pegasus. Click on the picture to see the enlarged photos.

The Eye of the Beholder…

hammers2Quite a number of years ago a friend of mine watched a show on TV about beauty.  What was interesting to note was that they took a number of pictures (i hate to say it…sorry i’m not sexist but…) pictures of women of all different shapes, colours, kinds and sizes and showed them to different cultures asking “Point out the most beautiful”.  The statistics were interesting… that regardless of culture there is a general sense of ‘beauty’.  And before you get your nickers in a knot, let me just say that in North America, they’ve manipulated that concept to the NINES! to the point of disgusting.  It’s created a weird box that women are somehow supposed to fit into – regardless of the fact that most do NOT.

Seguay.

I was tuning a piano this morning – thinking of the concept of beauty in tone; how 8 out of 10 of my customers listen for a similar type of tone.  I was contemplating what the ‘averages’ were in piano sound – that if you were to play a number of pianos, what most people would find pleasing.  Ok follow the rabbit trail here… i was then thinking about connecting a spectrograph (an electronic device that displays a breakdown of frequencies) to pianos that are considered ‘beautiful’ and analysing the correlations of tone.  (i know, i know…piano tuning is boring…lol… i have such thoughts when i’m tuning for better part of 2 hours…lol).  So after the tone is ‘visible’, then look at the physical makeup of the piano – the felt, the strings, the make and model etc and try and reverse engineer the formula.  Why?  Well, there’s this thing called VOICING.  Voicing is the art of manipulating the piano hammers in such a way as to enhance frequencies or remove unwanted frequencies.  When i was young, i thot that each piano company had a certain tone.  Yamaha had a tone, Baldwin had a tone, Kawai had a tone, Steinway had a tone… etc… and to a degree, that concept is true.  But what MANY people don’t know is that the tone can be altered almost up to 50%.  What that means is that you can have an extremely mellow sounding Yamaha – which typically is a brassy bright instrument.  Through voicing, you can change the way the fibres of the hammer strike the string.  Once this is accomplished, pianos can go from very mediocre to dazzling!

Well… my time is up.  I’ll write another blog about voicing some time…promise.  And there you’ll understand the basics how-to’s of the process of voicing.

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